John Tolmay specializes in bronze sculptures of the The Cape Buffalo. As a sculptor this is by far his favorite animal to depict. This majestic bovine of the African bush features heavily in his portfolio. From the tiny Buffalo Skull Paper Weight to the powerful large-scale piece called Belligerence, the cape buffalo has always had a special place in Johns work and his life as a professional hunting guide. He has sculpted the buffalo as an adversary to man and equally as the solitary powerful animal of the thick bush. Wall mounted, or book ends or just a thought-provoking piece that reminds you of the greatest hunting adventures you had in Africa, you will find your cape buffalo sc in this masterful collection of bronze sculptures.

December news from the Studio

A few updates from the Studio to follow.

I have decided that The Banker was so difficult to deal with as a wall mount due to its weight and the limitations that put on the ability to hang it on any wall. It would be better served as a bust that can be set into a plinth or exist as a free-standing piece. This image below will give you an idea of what to expect to see. The first image is the piece begin worked on in the foundry and the second piece is of the piece with the patina completed.

The Banker as a bust rather than a wall mount

And as always I have been keeping very busy in the studio with two new sculptures of those interesting African scenes that have become less and less likely to see unless you’re very far off the beaten track. Observations of little moments in everyday life that are fleeting but so important.

Thorn Tree Surgery is a piece similar to Running Repairs of which there are two left in the edition, but this time I have a keenly interested dog and an indifferent goat in the piece with a huge amount of detail to keep the eye entertained at every angle. Estimated size at this point is: 12″L 13″D 11″T (with the spear).

The second piece is called Loading the Daily Water Supply where it takes two women to help each other get those big clay pots onto each other’s heads. The pots are filled from the creek using the gourd carried by one women to decant the water into the pots. Woman number one is helped by woman number two to load the first pot onto her head. Then the second pot is loaded by both the women only this time woman number one is already loaded and she has to balance her load while helping  woman number two load the second pot onto her head. The whole exercise is centred around strength, dexterity, cooperation and balance. They dare not drop those pots because it’s back to the potter and the kiln for a new pot and no doubt comments from the other women in the village. Nowadays it’s 4 gallon plastic jerry cans or metal buckets that are carried. There is no running water in many African villages – even today. The estimated size at this point is: 12″L 8″W 17″T.

Both pieces are at the Hefestus foundry waiting to be cast – holding thumbs I’ll have one or both with me at the Dallas Safari Club and SEWE.

Click through the various poses below.

  • john-tolmay-loading-the-daily-water
  • Thorn Tree Surgery
  • Thorn Tree Surgery
  • Thorn Tree Surgery

2023-12-13T13:59:09-04:00December 11th, 2023|Cape Buffalo, Conservation, News, Stories|

The Elephant!!

A very good friend and collector of my work commissioned me to sculpt an Elephant. What an adventure this has been.

  Watch the video of the work in progress here

He asked that the animal should not be displayed in an aggressive pose and that the animal be alert without anger but to nevertheless portray the power of the beast.  I decided to take a wax production of an Elephant I had sculpted some time ago and modify it to achieve a posture of power without the aggression, thereby enabling the client to be involved in the process before proceeding with the final enlarged product.

The moquette

The moquette

Having completed the modification of the moquette in wax I realized that I had in fact created what I think is the best depiction of an Elephant bull carrying large ivory that I have done to date.

I decided to build the animal out of ply board, metal, wood and Styrofoam to save on the cost of pointing up.  I could have and should have sent the wax moquette to Colorado to be pointed up to the exact shoulder height of 48” as per the client’s request and then I would apply the clay and sculpt and texture the piece as I have done before with other enlarged sculptures.  Anyway, I didn’t and let’s just say that the process has been very exacting, very interesting and very long to say nothing of being physically exhausting. And for those of you know me well, you can imagine how ‘colorful’ my language has been from time to time.

The Styrofoam is poured as a liquid into makeshift molds of plastic bags around the wood and metal skeleton and then cut and shaved with sanding tools, serrated kitchen knives, wood saws and a chainsaw while eyeballing the moquette to get the desired pose.

The moquette will be caste into bronze and if you are interested please let me know and the large sculpture has an edition of 3 per kind favor of the friend that commissioned it and likewise if you are interested please contact me.

  Watch the video of the work in progress here

2021-11-04T21:01:33-04:00October 28th, 2021|Cape Buffalo, Large, Medium, Stories|

Georgie launches her art at SEWE 2020

Georgie joined us at SEWE 2020, showing her paintings for the first time ever at an exhibition. These are the first pieces of wildlife art she has painted in an official capacity and took her 3 weeks to complete.

She came to learn, gather information and measure her work in the context of her fellow artists and what better place than the great collaborative atmosphere of the SEWE show and the charm of Charleston. The ground hornbill has already found a new home – snapped up before the show. The Cape Buffalo with the Ox Pecker and the Lioness are just now being framed so if any of you are interested in purchasing these originals please contact me directly for prices. No prints of these first paintings will be made.

The Cape Buffalo with the Ox Pecker is titled “Have You Found it Yet?” Acrylic on canvas paper and framed. Image size is: 19″ x 25.5″

The Lioness is titled “That’s Close Enough”.  Acrylic on paper and framed. Image size is approx: 11″ x 15″

Georgie goes home to France tomorrow to now start painting in earnest and setting up her new website to showcase her work. I will let you know when the new site is up and running.

Click on the links below to see larger versions of the paintings.

2020-04-05T19:08:17-04:00February 24th, 2020|Cape Buffalo, Predators|

Belligerence is here – all 250lbs of it…

Well, we took time about it, Belligerence and I – and now the time has come to bring you my most ambitious sculpture to date.

Six buffalo bulls on a termite mound, tightly packed, multiple levels, dynamic poses – a piece that took months of work but I wanted to raise the bar and aim higher. I wanted to dig deeper into my head-space than ever before with a buffalo sculpture. You can see the result here.

This is an edition of 7. Miles White, who commissioned the Stag, took Belligerence while it was still in the clay so the first one has already gone to Illinois.

I hope you enjoy it as much as I enjoyed sculpting it.

2019-11-18T17:45:34-04:00November 30th, 2016|Cape Buffalo, Large, News|

Behind the Scenes

A lot of people have started to ask me about the Foundry and what it is like to bring a wax or a clay piece to life. So I have put together a little series of images for you give you a feeling of what the ‘back-end’ of my work looks like.

In order of appearance:

  1. Putting the patina on the piece called Gentle Giant of the Savannah. It’s messy work and the chemicals are noxious and dangerous to say the least but it’s that careful blending of heat and chemicals that brings up all the texturing and nuances in the piece and this is what I already have in my mind when I am still in the wax or clay stage.
  2. Putting the patina on Belligerence – thought it was never going to end but I had a very clear idea of what I wanted to achieve. Very happy with the result.
  3. Cal Paulson handling the heat. Here he is putting the finishing touches to the Stag that was made for the Deer Path Inn.
  4. Sculpting the moose that we will be collecting next week from the Foundry.
  5. The new hydraulic lift we have had to purchase in order to be able to move all 250lbs of Belligerence around. A great tool that will be useful for a few others too. Not getting any younger you know.
2019-11-18T17:45:00-04:00November 30th, 2016|Antelope, Cape Buffalo, Exhibitions, News|
Go to Top